12+
1000 year kazan
LINE OF MILLENIUMKAZAN |
 politics  economics  culture  infrastructure  religion  architecture 
city lifesocietycommentscity servicesbusinessIT-industryscience and educationpark of culturesport
 
History of \ culture \ before the year 1552 \

History of culture before the year 1552

Culture of the Kazan Khanate

 

 

 

 

 

The art critic F.H.Valeev strongly believed that stone carving (he called this phenomenon oriental Baroque) was widely used in tatar monumental architecture of the XV-XVI centuries. In this period jeweller’s art, production of decorated ceramics, weapon and footwear was common. Stone carving was also used in decoration of grave stones and various buildings.

Archaeological finds on the territory of the Kazan Kremlin prove that already in the XV-XVI centuries people knew the secret of making patterned gypsum slabs that were used to revet buildings. Some buildings of the IX century were reveted with majolica, but later this material was forgotten.

Ornamental patterns of Bulgar period were rather modest and simple. Later it became more dynamic, ornamentally richer, and the main role belonged to traditional “floral style”. Peculiarities of this style can be observed on grave stones, jewelry, and some architectural details of Kazan monumental buildings.

 

 

 

 

 

Ornamental patters of the first half of the XVI century marked the end of the artistic traditions of Early Feudal period and became more perfect foundations for further development of ornamentations of the followings epochs. In the process of development and improvement of this “new” style important role played traditionally historic, cultural and economic relations between the ancestors of modern Tatars with various nationalities of the East, especially with the people of Caucasus and Asia Minor.

Unfortunately, rare and scant literary and documentary sources of this period that were preserved till today can give us only few names of eminent scientist and poets that lived and worked in Kazan long ago. Among them such names as Muhammadjar (his poems were preserved), Muhammad Amin Garifbek, Kul Sherif, Muhammadsherif, Ibragim-al-Kazany.  This is an extract from “Nury Sodur” by Muhammadjar:

“Unbelief won’t destroy a state,

Despotism will ruin a country.

The unfaithful and unbelieving injure their souls,

But despotism can harm the whole country”.

However, after the downfall of the Kazan Khanate standard of culture decreased dramatically. People had to return from urbanism to rural way of life, thus they lost some of the achievements of their ancient culture, such as building skills, decoration of buildings with mosaic and tile, laying on water supply and some others.

Still this struggle for existence didn’t subdue the Moslem culture. The standard of culture declined, the number of educated people decreased, relations with cultural centers of Persia, Bukhara and Turkestan diminished, but they weren’t completely lost.

 
 History of  politics  economics  infrastructure  religion  architecture  before the year 1552 
 

kazan
in poetry


kazan
in quotes


kazan
in dates


 politics  economics  culture  infrastructure  religion  architecture 
city lifesocietycommentscity servicesbusinessIT-industryscience and educationpark of culturesport
1000 ëåò Êàçàíè in dates
in poetry
in documents
in figures
in quotes
in songs
in legends
in recipes
rus | tat | eng
Site "Line of Millennium" is made with financial support of the Federal Press and Mass Media agency.
Miraculous Icon of Kazan Mother of God
sightseeing
snack
hotels
how to get to...
city map
what to read
send a card
ABOUT THE PROJECT ABOUT THE PROJECT
RELATED LINKS RELATED LINKS
OUR SERVICES OUR SERVICES
CONNECT TO US CONNECT TO US

copyright © 2005

All the information of this web-site is for personal use only. You may not copy or transmit this information in any form, unless you receive written permission of the PH "Paradigm".

Use of any materials of this site in whole or in part presupposes active references to the site.
Contact us: info@1000kzn.ru

Create by: RiTE MEDiA internet agency
Design: Sergey Vasiljev-Botvinov